{"id":10573,"date":"2024-10-16T23:05:05","date_gmt":"2024-10-16T21:05:05","guid":{"rendered":"https:\/\/www.styl-m.org\/?p=10573"},"modified":"2024-10-16T23:05:05","modified_gmt":"2024-10-16T21:05:05","slug":"rubriques-n-1-figures-et-images-de-la-figura-antique-aux-theories-contemporaines","status":"publish","type":"post","link":"https:\/\/ais.airaud.net\/index.php\/2024\/10\/16\/rubriques-n-1-figures-et-images-de-la-figura-antique-aux-theories-contemporaines\/","title":{"rendered":"Rubriques, n\u00b0 1 : &#8220;Figures et Images. De la figura antique aux th\u00e9ories contemporaines ?&#8221;"},"content":{"rendered":"\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:29% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"220\" height=\"220\" src=\"http:\/\/ais.airaud.net\/wp-content\/uploads\/2024\/10\/009167_2.jpg\" alt=\"\" class=\"wp-image-10574 size-full\" srcset=\"https:\/\/ais.airaud.net\/wp-content\/uploads\/2024\/10\/009167_2.jpg 220w, https:\/\/ais.airaud.net\/wp-content\/uploads\/2024\/10\/009167_2-150x150.jpg 150w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Revue <em>Rubriques<\/em><\/p>\n\n\n\n<p>Num\u00e9ro 1 &#8211; 2024<\/p>\n\n\n\n<p>Direction Beno\u00eet Tane<\/p>\n\n\n\n<p><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\" data-type=\"link\" data-id=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\" target=\"_blank\" rel=\"noreferrer noopener\">Site de la revue<\/a><\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">A propos de la revue<\/h2>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>La sp\u00e9cificit\u00e9 de\u00a0<em>Rubriques<\/em>\u00a0est de croiser histoire de l&#8217;art, critique litt\u00e9raire et s\u00e9miologie. Id\u00e9alement, la th\u00e9matique du num\u00e9ro permettra de croiser des r\u00e9flexions et analyses<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>techniques (par exemple sur la technique de la gravure)<\/li>\n\n\n\n<li>patrimoniales (pr\u00e9sentation d&#8217;un fond, d&#8217;une collection, d&#8217;un lieu)<\/li>\n\n\n\n<li>th\u00e9matiques&nbsp;<\/li>\n\n\n\n<li>th\u00e9oriques<\/li>\n\n\n\n<li>litt\u00e9raires<\/li>\n\n\n\n<li>historiques<\/li>\n<\/ul>\n<\/blockquote>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Sommaire<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Pr\u00e9sentation du num\u00e9ro<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/retours-figure\">Retours de la figure<\/a>Par Beno\u00eet Tane<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Figures et figuration. Le mod\u00e8le ex\u00e9g\u00e9tique<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/peuple-figuratif-entre\">Le \u00ab\u00a0peuple figuratif\u00a0\u00bb, entre lecture figurale et anthropologie structurale. Dante, vico, bonald et l\u2019horizon du xxe si\u00e8cle<\/a>Par Christophe Imbert<\/li>\n\n\n\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/figure-moise-grand\">La figure de Mo\u00efse comme grand homme chez P\u00e9trarque. Entre litt\u00e9rature et ex\u00e9g\u00e8se<\/a>Par Pu Liu<\/li>\n\n\n\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/amours-pyrame-thisbe\">Les amours de Pyrame et Thisb\u00e9 et le divin. Entre figuration et d\u00e9figuration interm\u00e9diales<\/a>Par Aurore Labb\u00e9 de la Genardi\u00e8re<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Repr\u00e9sentation visuelle, repr\u00e9sentation textuelle<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/figure-licorne\">La figure de la licorne. Une m\u00e9taphore pour r\u00e9\u00e9crire la fin d\u2019un roman\u00a0?<\/a>Par Alexandra Ilina<\/li>\n\n\n\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/fonction-limage-dans\">Fonction de l\u2019image dans les descriptions j\u00e9suites de la Chine et des Indes orientales. Xviie\u00a0et xviiie\u00a0si\u00e8cles<\/a>Par Miao Li et Devika Vijayan<\/li>\n\n\n\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/marque-dune-croix\">Marqu\u00e9 d\u2019une croix\u00a0: l\u2019espace de la figure dans la po\u00e9sie de J\u00f8rn\u00a0H.\u00a0Sv\u00e6ren<\/a>Par Emmanuel Reymond<\/li>\n\n\n\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/lepopee-figurale-corps\">L\u2019\u00e9pop\u00e9e figurale des corps dans Tombeau pour cinq cent mille soldats et \u00c9den, \u00c9den, \u00c9den de Pierre Guyotat. Essai de g\u00e9n\u00e9alogie et d\u2019analyse de la \u00ab\u00a0figure\u00a0\u00bb<\/a>Par Quentin Morvan<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Figures et figurabilit\u00e9<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/figurabilites-geste\">Figurabilit\u00e9s du geste dans\u00e9<\/a>Par Mathieu Bouvier<\/li>\n\n\n\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/faconner-figurer\">Fa\u00e7onner-figurer-feindre ou l\u2019inlassable fingo ergo sum<\/a>Par Valentine Oncins<\/li>\n\n\n\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/limage-synthese\">L\u2019image de synth\u00e8se, imag(in)er la figure. Le travail m\u00e9taphorique de la figuration<\/a>Par Jacques Demange<\/li>\n\n\n\n<li><a href=\"https:\/\/utpictura18.univ-amu.fr\/rubriques\/numeros\/figures-images-figura-antique-aux-theories-contemporaines\/figurativite-figuration\">Figurativit\u00e9, figuration, figuralit\u00e9, figurabilit\u00e9. Note th\u00e9orique et terminologique<\/a>Par Bernard Vouilloux<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Revue Rubriques Num\u00e9ro 1 &#8211; 2024 Direction Beno\u00eet Tane Site de la revue A propos de la revue La sp\u00e9cificit\u00e9 de\u00a0Rubriques\u00a0est de croiser histoire de l&#8217;art, critique litt\u00e9raire et s\u00e9miologie. Id\u00e9alement, la th\u00e9matique du num\u00e9ro permettra de croiser des r\u00e9flexions et analyses Sommaire Pr\u00e9sentation du num\u00e9ro Figures et figuration. Le mod\u00e8le ex\u00e9g\u00e9tique Repr\u00e9sentation visuelle, repr\u00e9sentation [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,22],"tags":[195,201,360,366],"class_list":["post-10573","post","type-post","status-publish","format-standard","hentry","category-news","category-parutions-recentes","tag-histoire-de-lart","tag-images","tag-rubriques","tag-semiologie"],"_links":{"self":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/posts\/10573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/comments?post=10573"}],"version-history":[{"count":0,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/posts\/10573\/revisions"}],"wp:attachment":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/media?parent=10573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/categories?post=10573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/tags?post=10573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}