{"id":1761,"date":"2019-11-17T22:06:41","date_gmt":"2019-11-17T21:06:41","guid":{"rendered":"http:\/\/stylm.airaud.net\/?p=1761"},"modified":"2019-11-17T22:06:41","modified_gmt":"2019-11-17T21:06:41","slug":"sophie-jollin-bertocchi-et-serge-linares-changer-de-style-ecritures-evolutives-aux-xxe-et-xxie-siecles","status":"publish","type":"post","link":"https:\/\/ais.airaud.net\/index.php\/2019\/11\/17\/sophie-jollin-bertocchi-et-serge-linares-changer-de-style-ecritures-evolutives-aux-xxe-et-xxie-siecles\/","title":{"rendered":"Sophie Jollin-Bertocchi et Serge Linar\u00e8s, Changer de style \u00c9critures \u00e9volutives aux XXe et XXIe si\u00e8cles"},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide\" style=\"grid-template-columns:28% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"452\" src=\"http:\/\/ais.airaud.net\/wp-content\/uploads\/2019\/11\/ChangerdeStyle-1.jpg\" alt=\"COuverture Changer de style\" class=\"wp-image-1762\" srcset=\"https:\/\/ais.airaud.net\/wp-content\/uploads\/2019\/11\/ChangerdeStyle-1.jpg 300w, https:\/\/ais.airaud.net\/wp-content\/uploads\/2019\/11\/ChangerdeStyle-1-199x300.jpg 199w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/brill.com\/view\/title\/56065\" target=\"_blank\" rel=\"noreferrer noopener\">Cet ouvrage<\/a>,\n coordonn\u00e9 par Sophie Jollin-Bertocchi et Serge Linar\u00e8s, interroge\npour la premi\u00e8re fois la pratique fr\u00e9quente du changement de style\nchez les \u00e9crivains fran\u00e7ais depuis la n du XIXe si\u00e8cle. Restituant le\n ph\u00e9nom\u00e8ne \u00e0 son historicit\u00e9, il ne vise pas \u00e0 contester la notion\nde \u00ab style d\u2019auteur \u00bb, mais \u00e0 en relativiser le caract\u00e8re\nessentialiste, croisant la d\u00e9marche stylisticienne avec d\u2019autres\napproches (sociologie, po\u00e9tique&#8230;). Il dessine le contexte historique\net \u00e9ditorial, \u00e9voque ensuite des parcours de polygraphes, appr\u00e9hende\nla probl\u00e9matique sous l\u2019angle g\u00e9n\u00e9rique (po\u00e9sie, roman), met en\n\u00e9vidence les enjeux biographiques, questionne enn les possibilit\u00e9s\nd\u2019une permanence derri\u00e8re la disparit\u00e9 des mani\u00e8res d\u2019\u00e9crire. \u00c0\nl\u2019\u00e9poque moderne, avoir du style ne se limite pas \u00e0 en avoir un seul.<\/p>\n\n\n\n<p><strong><a href=\"http:\/\/ais.airaud.net\/wp-content\/uploads\/2019\/11\/FAUX-434-Changer_FLYER-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Le flyer joint  (s\u2019ouvre dans un nouvel onglet)\">Le flyer joint <\/a>permet de l&#8217;acqu\u00e9rir avec 25% de r\u00e9duction.<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">R\u00e9f\u00e9rences<\/h2>\n\n\n\n<p>Editeurs : Sophie Jollin-Bertocchi and Serge Linar\u00e8s<br \/> S\u00e9ries: FauxTitre,Volume:434<br \/> ISBN : 978-90-04-41350-4<br \/> Date de publication : 03 Oct 2019<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Table des Mati\u00e8res<\/h2>\n\n\n\n<p><strong>Notices sur les auteurs<\/strong><\/p>\n\n\n\n<p><strong>Introduction\u2009: Pour penser l\u2019\u00e9volution d\u2019un style d\u2019auteur<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Partie 1: Angles d\u2019approche<\/h3>\n\n\n\n<p>1 <strong>Les \u00eatres d\u2019un lieu commun\u2009? Conceptions du style de la fin du XVIIIe si\u00e8cle au d\u00e9but du XXe si\u00e8cle<\/strong><br \/> <em>Jacques-Philippe Saint-Gerand<\/em><\/p>\n\n\n\n<p>2 <strong>Changement de style, changement de maison<\/strong><br \/> <em>Olivier Bessard-Banquy<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Partie 2: Parcours de polygraphes<\/h3>\n\n\n\n<p>3 <strong>Portrait d\u2019auteure en d\u00e9miurge polymorphe\u2009: Marguerite Yourcenar<\/strong><br \/> <em>Bruno Blanckeman<\/em><\/p>\n\n\n\n<p>4 <strong>Les modulations de la repr\u00e9sentation de discours dans l\u2019\u00e9criture d\u2019Annie Ernaux<\/strong><br \/> <em>B\u00e9reng\u00e8re Moricheau-Airaud<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Partie 3: Changer la po\u00e9sie<\/h3>\n\n\n\n<p>5 <strong>Recommencements po\u00e9tiques<\/strong><br \/> <em>Serge Linar\u00e8s<\/em><\/p>\n\n\n\n<p>6 <strong>D\u00e9sengagement surr\u00e9aliste et d\u00e9gagement d\u2019un style chez Ren\u00e9 Char<\/strong><br \/> <em>St\u00e9phanie Thonnerieux<\/em><\/p>\n\n\n\n<p>7 <strong>Les \u00e9volutions po\u00e9tiques de Genet\u2009: exp\u00e9rimentations stylistiques et opportunisme litt\u00e9raire<\/strong><br \/> <em>\u00c9lise Nottet-Chedeville<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Partie 4: L\u2019\u00e9volution des romans<\/h3>\n\n\n\n<p>8 <strong>La prose de Marguerite Duras\u2009: des styles \u00e0 l\u2019idiolecte<\/strong><br \/> <em>Sandrine Vaudrey-Luigi<\/em><\/p>\n\n\n\n<p>9 <strong>Une rupture dans la continuit\u00e9\u2009: Claude Simon et l\u2019av\u00e8nement du Nouveau Nouveau Roman<\/strong><br \/> <em>Ilias Yocaris<\/em><\/p>\n\n\n\n<p>10 <strong>\u00ab\u2009Autant de d\u00e9parts, autant de styles\u2009\u00bb\u2009? L\u2019\u00e9criture de la phrase chez Michel Chaillou<\/strong><br \/> <em>Pauline Bruley<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Partie 5: Style d\u2019\u00e9criture et style de vie<\/h3>\n\n\n\n<p>11 <strong>Crise de la foi et crise de l\u2019\u00e9criture\u2009: mutations du style aphoristique (Barr\u00e8s, Martin du Gard, Gide)<\/strong><br \/> <em>St\u00e9phanie Bertrand<\/em><\/p>\n\n\n\n<p>12 <strong>Changer de style, changer de d\u00e9cor, changer de peau\u2009: les mutations narratives dans l\u2019\u0153uvre de J. M. G. Le Cl\u00e9zio<\/strong><br \/> <em>Bruno Thibault<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Partie 6: Solutions de continuit\u00e9<\/h3>\n\n\n\n<p>13 <strong>Henri de R\u00e9gnier\u2009: moderne, classique, moderne classique\u2009?<\/strong><br \/> <em>\u00c9lodie Dufour<\/em><\/p>\n\n\n\n<p>14 <strong>Echenoz a-t-il (vraiment) chang\u00e9 de style\u2009?<\/strong><br \/> <em>St\u00e9phane Chaudier<\/em><\/p>\n\n\n\n<p>15 <strong>Roland Barthes\u2009: le regard du cam\u00e9l\u00e9on<\/strong><br \/> <em>Claude Coste<\/em><\/p>\n\n\n\n<p><strong>Index<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cet ouvrage,  coordonn\u00e9 par Sophie Jollin-Bertocchi et Serge Linar\u00e8s, interroge  pour la premi\u00e8re fois la pratique fr\u00e9quente du changement de style  chez les \u00e9crivains fran\u00e7ais depuis la n du XIXe si\u00e8cle.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,22],"tags":[],"class_list":["post-1761","post","type-post","status-publish","format-standard","hentry","category-news","category-parutions-recentes"],"_links":{"self":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/posts\/1761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/comments?post=1761"}],"version-history":[{"count":0,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/posts\/1761\/revisions"}],"wp:attachment":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/media?parent=1761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/categories?post=1761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/tags?post=1761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}