{"id":2155,"date":"2020-03-04T21:06:18","date_gmt":"2020-03-04T20:06:18","guid":{"rendered":"https:\/\/www.styl-m.org\/?p=2155"},"modified":"2020-03-04T21:06:18","modified_gmt":"2020-03-04T20:06:18","slug":"2155","status":"publish","type":"post","link":"https:\/\/ais.airaud.net\/index.php\/2020\/03\/04\/2155\/","title":{"rendered":"“Palper l’ineffable”. La langue de L\u00e9onor de R\u00e9condo. Programme"},"content":{"rendered":"\n

<\/p>\n\n\n\n

\u00ab Palper l\u2019ineffable \u00bb<\/strong><\/h2>\n\n\n\n

La langue de L\u00e9onor de R\u00e9condo<\/strong><\/h2>\n\n\n\n

\u00c9crivaine plusieurs fois prim\u00e9e, L\u00e9onor de R\u00e9condo est aussi violoniste de talent, responsable notamment de l\u2019ensemble baroque L\u2019Yriade. Cette journ\u00e9e d\u2019\u00e9tudes, en pr\u00e9sence de l\u2019auteure, tentera de cerner les formes d\u2019une \u00e9criture dense, incarn\u00e9e, musicale, \u00e0 la fois sobre et sensuelle.  N\u00e9e d\u2019un univers qui entretient un rapport particulier \u00e0 l\u2019art, au temps, \u00e0 la m\u00e9moire, aux corps, la \u00ab langue intime \u00bb de L\u00e9onor de R\u00e9condo fait subtilement vibrer \u00ab la chair de l\u2019\u00e2me \u00bb.<\/p>\n\n\n\n

Vendredi\n13 mars 2020<\/strong><\/h3>\n\n\n\n

\u00c9cole Normale Sup\u00e9rieure<\/strong><\/h3>\n\n\n\n

En pr\u00e9sence de l\u2019\u00e9crivaine<\/em><\/strong><\/p>\n\n\n\n

Responsables : C\u00e9cile Narjoux (Sorbonne-Universit\u00e9) et Anne-Marie Paillet (ENS-PSL) <\/strong><\/p>\n\n\n\n

Programme<\/h3>\n\n\n\n

Matin<\/strong> : salle Cavaill\u00e8s (45, rue d\u2019Ulm)<\/strong><\/p>\n\n\n\n

  • 9h30 : Bruno Thibault, <\/strong>University of Delaware, \u00ab <\/strong>Le chant orphelin ou les enjeux de la fiction biographique chez L\u00e9onor de R\u00e9condo \u00bb. <\/li><\/ul>\n\n\n\n
    • 10 h : Antoine Sylvestre de Sacy, \u00e9l\u00e8ve Ecole des Chartes \/ENS, \u00ab L\u2019exploitation des infinitifs dans Pietra Viva<\/em> : \u00e9tude textom\u00e9trique \u00bb.<\/li><\/ul>\n\n\n\n

      Pause<\/em><\/p>\n\n\n\n

      • 10h 45 : L\u00e9o Dekowski, \u00e9l\u00e8ve ENS, \u00ab Caresser l\u2019\u00e9ternit\u00e9 vive (Pietra viva<\/em>) \u00bb.<\/li><\/ul>\n\n\n\n
        • 11h 15 : Catherine Fromilhague, Sorbonne-Universit\u00e9, \u00ab \u201cLe parfum, c\u2019est le ciel qui s\u2019embrase\u201d. Ecrire l\u2019\u00e9vidence dans quelques romans de L\u00e9onor de R\u00e9condo \u00bb.<\/li><\/ul>\n\n\n\n

          Apr\u00e8s-midi : salle des Conf\u00e9rences (46, rue d\u2019Ulm)<\/strong><\/p>\n\n\n\n

          • 14h 30 : C\u00e9cile Narjoux, Sorbonne-Universit\u00e9, \u00ab L\u2019apostrophe dans les r\u00e9cits de L\u00e9onor de R\u00e9condo : une mani\u00e8re d\u2019\u201can\u00e9antir nos temporalit\u00e9s respectives\u201d\u00bb.<\/li><\/ul>\n\n\n\n
            • 15h : Sandrine Vaudrey, Universit\u00e9 Sorbonne Nouvelle-Paris 3, \u00ab La prose de R\u00e9condo. Une phrase classique moderne ? \u00bb <\/li><\/ul>\n\n\n\n

              Pause<\/em><\/p>\n\n\n\n

              • 15h 45 : B\u00e9reng\u00e8re Moricheau, Universit\u00e9 de Pau et des Pays de l\u2019Adour, \u00ab Sortir du temps de l\u2019agonie dans Manifesto <\/em>\u00bb.<\/li><\/ul>\n\n\n\n
                • 16h 15 : Anne-Marie Paillet, ENS, \u00ab \u201cLa chair de l\u2019\u00e2me\u201d : figurer l\u2019intime chez L\u00e9onor de R\u00e9condo \u00bb. <\/li><\/ul>\n\n\n\n

                  <\/p>\n","protected":false},"excerpt":{"rendered":"

                  \u00ab Palper l\u2019ineffable \u00bb La langue de L\u00e9onor de R\u00e9condo \u00c9crivaine plusieurs fois prim\u00e9e, L\u00e9onor de R\u00e9condo est aussi violoniste de talent, responsable notamment de l\u2019ensemble baroque L\u2019Yriade. Cette journ\u00e9e d\u2019\u00e9tudes, en pr\u00e9sence de l\u2019auteure, tentera de cerner les formes d\u2019une \u00e9criture dense, incarn\u00e9e, musicale, \u00e0 la fois sobre et sensuelle.  N\u00e9e d\u2019un univers qui entretient un rapport particulier […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[243],"class_list":["post-2155","post","type-post","status-publish","format-standard","hentry","category-news","tag-leonor-de-recondo"],"_links":{"self":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/posts\/2155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/comments?post=2155"}],"version-history":[{"count":0,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/posts\/2155\/revisions"}],"wp:attachment":[{"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/media?parent=2155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/categories?post=2155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ais.airaud.net\/index.php\/wp-json\/wp\/v2\/tags?post=2155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}